“In their ample, embracing, nuanced appetite for sensory experience, [Partridge’s] poems achieve an ardent, compassionate and unsentimental vision.”

Robert Pinsky | Washington Post

“Partridge’s impressive poems pursue a careful thinker’s yearning for abandon, a loyal friend and partner’s wish for change. Attentive to fact, to what she sees and knows, Partridge nonetheless makes space for what is wild, outside and within us—for the fears and the blanks of chemotherapy, for sharp variations within (and without) frames of metre and rhyme, and for the welcome consistencies of married love. She has learned detail-work, and patience, from Elizabeth Bishop, but she has made other virtues her own: riffs on familiar phrases open startling vistas and even her love poems get attractively practical. Hers is a welcome invitation: let’s listen in.”

Stephen Burt

“Reading Chameleon Hours, I find myself marveling at the luck of each heron, mosquito, field of Queen Anne’s Lace, each person, place, thing or circumstance in this beautiful book, to have Elise Partridge’s exquisite and precise attention. And how lucky we are to get to listen in as she offers each of them her flawless ear; the book is full of understated sonic gems like ‘a kickball straight into pink lilac.’ In ‘Chemo Side Effects: Memory,’ after describing ‘groping in the thicket’ for ‘the word I want . . . scrabbling like a squirrel on the oak’s far side,’ she tells us ‘I could always pull the gift / from the lucky-dip barrel; scoop the right jewel / from my dragon’s trove. . . .’ We of course already know this. It’s evident in every one of these poems.”

Jacqueline Osherow

“Elise Partridge is a poet of brilliant precisions. Each line presents a new, glinting angle of thought. Whether she’s contemplating relics of World War II, or a mosquito struggling in a spider web like ‘a fast-forward Rockette,’ or shirts spinning in a dryer, their arms flailing, Partridge’s coolly surprising intelligence rediscovers the worlds she remakes in words. These poems—good, tangy and chunky on the tongue—somehow reflect life’s plenitude while maintaining their own spareness and balance. The result is an art of eerie compassion and an almost hyper-realist perception of the small, like the snail seen rippling and gliding its way across a paved road: ‘Bow sprit-antennae plunge, rise:/ safety’s ten lifetimes ahead.’”

Rosanna Warren