In Nature’s Name
An Anthology of Women’s Writing and Illustration, 1780-1930
9780226284460
9780226284446
In Nature’s Name
An Anthology of Women’s Writing and Illustration, 1780-1930
From the late eighteenth to the early twentieth century, hundreds of British women wrote about and drew from nature. Some—like the beloved children’s author Beatrix Potter, who produced natural history about hedgehogs as well as fiction about rabbits—are still familiar today. But others have all but disappeared from view. Barbara Gates recovers these lost works and prints them alongside little-known pieces by more famous authors, like Potter’s field notes on hedgehogs, reminding us of better known stories that help set the others in context.
The works contained in this volume are as varied as the women who produced them. They include passionate essays on the protection of animals, vivid accounts of travel and adventure from the English seashore to the Indian Alps, poetry and fiction, and marvelous tales of nature for children. Special features of the book include a detailed chronology placing each selection in its historical and literary context; biographical sketches of each author’s life and works; a comprehensive bibliography of primary and secondary literature; and over sixty illustrations.
An ideal introduction to women’s powerful and diverse responses to the natural world, In Nature’s Name will be treasured by anyone interested in natural history, women, or Victorian and Edwardian Britain.
The works contained in this volume are as varied as the women who produced them. They include passionate essays on the protection of animals, vivid accounts of travel and adventure from the English seashore to the Indian Alps, poetry and fiction, and marvelous tales of nature for children. Special features of the book include a detailed chronology placing each selection in its historical and literary context; biographical sketches of each author’s life and works; a comprehensive bibliography of primary and secondary literature; and over sixty illustrations.
An ideal introduction to women’s powerful and diverse responses to the natural world, In Nature’s Name will be treasured by anyone interested in natural history, women, or Victorian and Edwardian Britain.
Read some excerpts.
704 pages | 28 halftones, 37 line drawings | 6 x 9 | © 2002
Literature and Literary Criticism: General Criticism and Critical Theory
Table of Contents
Illustrations
Acknowledgments
Preface
PRELUDE
SECTION ONE: SPEAKING OUT
Introduction
SECTION TWO: PROTECTING
Introduction
Sensitivity to Other Species
The Horrors of Sport
Antivivisection
Conservation: Birds
Conservation: The Land and Its Plants
SECTION THREE: DOMESTICATING
Introduction
Menageries and Animal Stories
Farming and Gardsening
Plants and Interiors
SECTION FOUR: ADVENTURING
Introduction
For Science
For Sport
SECTION FIVE: APPRECIATING
Introduction
Romanticism
Aestheticism
The Color of Life
SECTION SIX: POPULARIZING SCINECE
Introduction
Kinds of Science Popularization
Women and Darwin
SECTION SEVEN: AMATEURS OR PROFESSIONALS?
Introduction
Who/What Was a Professional?
Seaweeds, Zoophytes, and Women
Professionals
POSTLUDE
Chronology
Biographical Sketches
For Further Reading
Acknowledgments
Preface
PRELUDE
SECTION ONE: SPEAKING OUT
Introduction
SECTION TWO: PROTECTING
Introduction
Sensitivity to Other Species
The Horrors of Sport
Antivivisection
Conservation: Birds
Conservation: The Land and Its Plants
SECTION THREE: DOMESTICATING
Introduction
Menageries and Animal Stories
Farming and Gardsening
Plants and Interiors
SECTION FOUR: ADVENTURING
Introduction
For Science
For Sport
SECTION FIVE: APPRECIATING
Introduction
Romanticism
Aestheticism
The Color of Life
SECTION SIX: POPULARIZING SCINECE
Introduction
Kinds of Science Popularization
Women and Darwin
SECTION SEVEN: AMATEURS OR PROFESSIONALS?
Introduction
Who/What Was a Professional?
Seaweeds, Zoophytes, and Women
Professionals
POSTLUDE
Chronology
Biographical Sketches
For Further Reading
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