"While it is well-known that some of the greatest Buddhist masters of ancient India hailed from southern India, there seems to be no satisfactory historical understanding of the seminal role Buddhism in south India might have played in the very formation of what came to be known as Mahayana Buddhism. Combining the intricate methods of art history with critical textual and historical inquiry of Buddhist studies, Jas Elsner offers a rich and engaging account of the devotional energy, vibrancy of philosophical debates, and artistic creativity that must have given rise to the emergence of the Amaravati Stupa, indisputedly one of the greatest Buddhist monuments of ancient India. An eye-opening book that I cannot recommend more highly."

Thupten Jinpa, translator to H.H. the Dalai Lama

"This precious book looks at the great stu¯pa of Amara¯vati¯ – one of the most important monuments in the ancient world – from seemingly inexhaustible perspectives. It leads the reader to see its monumental form and amazing reliefs, to read its intriguing inscriptions, and to think about its visual, cultural, and ideological connections with the long history of stu¯pa construction, Buddhist mythology and ancient Indian narrative traditions, ritual function and cosmological vision, theatricality and the agency of dance, and philosophical questions evoked by the Buddha’s multiple bodies and foot-prints, all embedded in the building’s architectural and sculptural programs."

Wu Hung, University of Chicago

"Amaravati marks a revolutionary approach to 'visual Buddhology' that triangulates a hermeneutics of iconic objects with texts and practice traditions. In doing so, it breaks down disciplinary barriers, restores the Indian cultural element in Indian Buddhist studies and revises arguments about the rise of Mahayana in early India."

Deven M. Patel, author of 'Text to Tradition: The Nai?adhiyacarita and Literary Community in South Asia'