"Piechocki is conceptually rigorous, she reads many languages and her research is impeccable. She is a careful critic but also a deeply imaginative historian. This is a contribution to the 'darker side' of cartography and the Renaissance, emphasizing the relationship between writing and scholarship and the exercise of power and exploitation, but its analysis never departs from the measured and reflective."

Times Higher Education

"This is an ambitious book which convincingly achieves its goals. It makes great claims for Humanism, the Renaissance and especially for cartography in establishing a new idea of Europe, and presents detailed evidence for those claims in closely argued and highly detailed case studies."

Michael Wintle | European History Quarterly

"[A] timely book...well worth a read."

Journal of Historical Geography

“Through a close reading of literary texts, Cartographic Humanism traces a shift in understanding of the shapes, meanings, relationships, and constituent parts of the globe. Piechocki’s linguistic range is astounding, and her fluid translations convey the poetry of the original passages. She has assembled a rich array of texts and images, and the imaginative ways in which she reads them add up to something new and compelling. She draws out their cartographic ideas and makes a convincing case for their centrality in defining both Europe and its swaggering presence across the globe. Her readings are fresh and energetic. The book will be a major contribution to literary and cultural studies and their intersection with the history of cartography.”

Valerie A. Kivelson, author of Cartographies of Tsardom: The Land and Its Meanings in Seventeenth-Century Russia

"Katharina Piechocki’s Cartographic Humanism is an indispensable book for scholars in many disciplines who think or write about cartography, Europeanness, or [the] Renaissance."

The Polish Review

"Cartographic Humanism is the wonderful achievement of a major critic, scholar, literary historian and multicultural thinker. With wide-ranging scholarship, philological acuteness, sensitivity to textual and poetic nuance, and enviable linguistic ease in Latin, German, Polish, French, Italian, Spanish, English and Portuguese, Katharina Piechocki offers a new understanding of the sixteenth-century cartographic invention of Europe from a pot-pourri of real and imagined borderlands. In taut analyses of writers little studied outside specialist contexts or well-known but not as mappers of a new Europe—Conrad Celtis, Maciej Miechowita, Geoffroy Tory, Girolamo Fracastoro and Luís Vaz de Camões—Piechocki tracks a cartopoietic story that 'starts' with efforts to delimit central (Germanic), eastern (Polish or 'Sarmatic') and a core (French) 'Europe' from and against indeterminate or non-existent Asian, Mediterranean and African borders, passes through attempts to establish this 'place' against an also indeterminate other—'America' or 'not-Europe,' all intimately bound, in Fracastoro, to disease and/or its cure and to the fictive imagination, and 'ends' with Camões’ nomad poetic imposition of a colonizing Mediterranean map on an age-old Indian Ocean one, a European cartography on and of the world. In the effervescent Renaissance scholarship of history as cartography Piechocki’s is a splendidly compelling new voice, one, too, that lets us see hitherto silent or 'peripheral' actors as key to modern Europe’s invention."
 

Timothy Reiss, author of Mirages of the Selfe: Patterns of Personhood in Ancient and Early Modern Europe

"Cartographic Humanism is a tour de force. Impeccably researched and beautifully written, this major intervention into the histories of cartography and literature asks what we mean when we say ‘Europe.’ Piechocki addresses this question—so urgent today—by exploring how early modern poets and mapmakers imagined interstitial geographies and, thus, Europe’s ever-changing borders and contact zones. Drawing from a rich multilingual archive of humanists from Germany, Poland, France, Italy, and Portugal, Cartographic Humanism shows that Europe is not a monolith and never was. A must-read not only for scholars of early modernity, but for anyone who has ever said the word ‘Europe.’”

Phillip John Usher, author of The Exterranean: Extraction in the Humanist Anthropocene

“Cartographic Humanism is a deeply ambitious, exhaustively researched, and carefully argued book that covers a number of literary and historical issues in Renaissance European culture. Piechocki successfully brings together the unwieldy materials of language, local identification, a multidisciplinary approach, and temporal breadth, providing valuable insight into Latin humanist texts that undergird more familiar vernacular cartographic texts.”

William J. Kennedy, author of Petrarchism at Work: Contextual Economies in the Age of Shakespeare

"Katharina N. Piechocki’s elegant and incisive new work on how an assemblage of sixteenth-century humanists took the classical designation of 'Europa' and transformed it from a loosely defined appendage to Asia’s landmass into a more sharply delineated territory with political and metaphysical overtones."

Isis

"How did Europe emerge through pictorial maps, and what did early Renaissance maps and cartopoetics have to do with that emergence? Cartographic Humanism is an intertextual study of the history of cartography that looks at transnational spaces of fantasy and exploration, knowledge and emotion, and symbolic places and claimed discovery. . . .In this effervescent book of literary criticism and the map, there is much creative ground to be gained."

Austrian History Yearbook

"Piechocki's study is a complex contribution to the study of the understanding of Europe in the Renaissance... Although this is never explicitly mentioned by the author herself, this book can also be understood as a serious examination of the reception of Ptolemaic geography in the 15th and 16th centuries... Piechocki's impressive contribution remeasures the broad field of early modern European research."

H-Soz-Kult (translated from German)