“The Triumph of Pleasure is a splendid addition to the literature on French baroque music. Cowart makes a strong argument for her position that many works from the late seventeenth and early eighteenth centuries constitute an unofficial counterculture, diametrically opposed to the official court culture in the later years of Louis XIV’s reign. Her knowledge of a very wide range of works that are generally unknown even to specialists in this area throws much light on this vast topic. This fascinating and subtle study continues to resonate in the mind long after reading.”

Davitt Moroney, University of California, Berkeley

"One of the great strengths of Cowart’s book is precisely its chronological scope. . . . Cowart’s reach, combined with her considerable erudition and meticulous scholarship, allows her to make some very suggestive parallels between works that might otherwise have passed unnoticed."

Times Literary Supplement

“A subtle, distinguished, and learned work. Through her careful, succinct descriptions and analyses of the dance and its place in the fêtes at Louis XIV’s court, Georgia Cowart elucidates a fundamental shift from the emphasis on the bombastic, glory-obsessed celebrations of war and conquest for the Sun King to performances that stressed the virtues of peace, sensual pleasure, and more private lifestyles. Well-researched and elegantly written, The Triumph of Pleasure will be welcomed by readers interested in elite and courtly cultures and by scholars who study the history of dance, music, and art.”

Orest Ranum, Johns Hopkins University

"Cowart details the ideological intricacies embedded within and across a wide range of performance modes. . . . [Her] elegant prose and nuanced observations will appeal to a wide range of readers interested in cultural history and the arts."

Anne Hogan | Times Higher Education Supplement

"Cowart’s study is of impressive scope and offers a rich synthesis that draws on a breadth of scholarship by musicologists, art historians, literary historians/theorists, and dance specialists. Her cross-disciplinary approach yields important insights into the field of seventeenth-century studies."

French Studies

"Georgia J. Cowart’s book serves as welcome inspiration for the kind of work that can result from musical training, a transdisciplinary approach (I am tempted to say that her work is “postdisciplinary,” but perhaps that is an aspiration too far), years of reading, and, of course, good scholarship."

H-Music